Opening the Tarot, Part III

In the previous post, we were looking at the significance of body language in tarot graphic illustration, in relation to ideas of openness. Taking another look at the Queen of Wands in comparison to the Empress in body language, both have open laps and sit with legs apart, (rather than in a crossed or demure drawn-together position), though their long gowns do drape decorously over their knees, (and the Empress’s lower body is angled to the right, with legs drawn closer together than those of the Queen of Wands). These hints at sexual openness suggests some Aphrodite energy, which ties in with our theme of opening as it relates to the month of April. April is both the month of opening and the month dedicated to Aphrodite and her divine powers of opening, as previously mentioned. In the RWS deck, the Empress is explicitly associated with Venus/Aphrodite, (as shown by her heart-shaped shield with the glyph of Venus on it), while the fiery energies associated with the Queen of Wands suggests that she can be the most passionate and sensual of the queens. Despite this, the Queen of Wands is less ready to engage the viewer than the Empress, for she gazes off to the right, and both of her hands are occupied.

When we look at the body language of the four kings, we notice that the King of Swords looks us square in the face, so he is definitely aware of us, but that sword he is wielding blocks any impulse on our part to go right up to him. In these respects, and in the military accessories, the King of Swords’ symbolism resonates with that of The Emperor, (who often has a militaristic orientation). On the other hand, The King of Cups’ open body language makes him more approachable, in keeping with his traditional “Mr. Nice Guy” personality. However, although the King of Cups is facing forward, he is slightly angled to the right (which is his left), while gazing at us slantwise. This may indicate that, though kindly disposed, he may regard us the Querents as something of a distraction.

The only other RWS Minor Arcana cards where the figures look us full in the face are the Four of Pentacles and Nine of Cups. In the former card, the man is greedily clutching a pentacle in a way that erects a material barrier between us and him. The latter shows a jolly man in front of an open (half-circle) arrangement of cups that suggests hospitality, yet our host’s crossed arms indicates that he is selective about who he invites in. There are other cards that show celebration and conviviality, but have a more closed-off quality. For example, the Three of Cups is a festive card that depicts three women dancing, yet theirs is a closed circle, as if to tell the viewer, “Three’s company, four’s a crowd.”

Although the RWS deck’s use of body language and other imagery makes some philosophical statements about concepts of open and closed, there is no reason that other designers couldn’t deal with these issues differently. This gives would-be designers something to think about, and is a reason for users to experiment with different decks on different occasions.

Perspectives on Judgment, Part 2

To pick up where I left off, at Sunday’s session, we had been doing card search readings focused on the Judgment card, and the cards flanking it as showing an area of your life or personality that could undergo renewal and an area of life or activity where you can express your new sense of selfhood.

In the case of the person whose first card was the Queen of Wands, the key to rejuvenation could be to reignite some very fiery, feminine inner self. (The deck used was Ciro Marchetti’s Legacy Tarot, whose Wands Queen has a smoldering gaze.) Queens are particularly concerned with nurturing the qualities of their suit, so how might that suggest some form of self nurturing? The flanking card in this reading was the King of Cups, which could denote a different facet of self expression (with regard to taking charge in some emotional matters), but which in this particular case also seemed to have bearing on a personal relationship. In this Marchetti deck, the Judgment angel’s outspread arms and glowing hands reach out to beyond the picture space, which has the graphic effect of spiritually joining whatever is featured in the flanking cards--in this case uniting the Queen of Wands and King of Cups.

The Empress, which two persons drew, also involves re-awakening that inner feminine creativity, but as part of a grander vision of how life could be improved and made more beautiful. In some of my January and February posts, I talked about this (2010) as being an Empress year with the potential to nurture dreams, so this could be an especially significant year for these individuals, pointing to major opportunities for remaking themselves. One of these persons drew the Sun as the other card, which indicates that the Empress qualities can be allowed to shine, bringing health, happiness, and recognition. The combination of Judgment and the Sun may predict recognition that brings promotion. I don’t remember what the other person’s flanking card was, or which decks were used. (Anyone and everyone: feel free to post here to refresh my memory if I have forgotten your reading or gotten parts of it wrong.)

To be continued.