Showing posts with label Robert Farris Thompson. Show all posts
Showing posts with label Robert Farris Thompson. Show all posts

Saturday, May 11, 2013

FAIRY GARDENS AND THE MAGIC OF SHINING



Fairy gardens were a topic of discussion at last week’s magical chat session, so I want to expand on some of the things we talked about.  Because a lot of fairies are attracted to things that sparkle, it is fun to work shiny objects into your garden décor.  One idea is to tie beads to the branches of a favorite bush or small tree.  Note that the Pomo Indians of California gave beads as offerings to nature spirits.  (I’d have to check my sources, but I think sometimes they’d scatter the beads, and sometimes they’d tie a thong with a few beads on it to the limb of a tree.)  Some Eastern woodland Indians referred to beads as “Manitou berries."

Of course, many common items of garden décor, such as twirlers, sun catchers, wind chimes, and wind mills incorporate shiny features.  Those large garden balls, called gazing globes or reflecting globes, are said to enhance a garden’s fertility by reflecting multiple images of its vegetation.  I think they go back to the Renaissance, and although their intent may have originally been purely decorative, the magical applications were quickly recognized.

Shiny objects also bring “the flash of spirit” into your garden.  This is an important feature of African-American “yard shows” (and grave decorations), because it acknowledges the world of spiritual power, while also invoking its protective influences.  (Refer to Robert Farris Thompson’s book, “The Flash of Spirit.”)  I get into some of these concepts in my magical chat for July, when we explore “The Magic of Shining.”  Shining/sparkling qualities are often characteristic of glamour bombs, which are performative art objects created to re-instill the world with a sense of possibility in fairy magic.

Speaking of performative actions, to delight the fairies, you could think about putting on some sort of music or dance or other type of performance while you’re spending time in your fairy garden, because as the naturalist poet Gary Snyder has observed, “Performance is currency in the Deep World’s Gift Economy.”  Anthropologists apply the term “gift economy” to certain gift giving traditions and exchanges within certain types of cultures: in a gift economy, one doesn’t expect immediate reciprocity, yet there is an understanding that the gift creates a bond, and can also be part of a cycle of exchanges (paying it forward) that generate over-all well being.

The Deep World includes spiritual and metaphysical entities and forces, as well as the denizens of Nature, and one can cite numerous cultural practices of putting on performances to honor these beings.  For example, after a major hunt, some Native American groups will honor the spirit of the animal by putting on a song, dance, and masquerade performance.  However, they will also often put on performances for the Animal World and the Spirit World just because it’s the neighborly thing to do.  If we look at the lore of fairies, we find they are also deeply appreciative of performance.

Wednesday, July 18, 2012

The Magic of Shining in the Art of Life


As one of the themes for my July 1st workshop was “the magic of shining,” we touched on the idea of shining deeds/actions/gestures, etc. which then led to discussion of related concepts, including “glamour bombing” and the Judaic practice of “the beautification of a mitzvah.”  These things are on my mind, because I’ve been thinking about how to tie them in with my most recent daily one-card tarot readings from the “Art of Life” tarot deck by Charlene Livingstone.  So, I got the Temperance card, which features a Pissarro painting of a “Woman Washing Her Feet in a Brook” along with the Heraclitus quote, “The unlike is joined together, and from differences results the most beautiful harmony.”  Prior to that, I got the Two of Pentacles, featuring “Blue Dancers” by Degas, and FDR’s quote that happiness “lies in the joy of achievement, in the thrill of creative effort.”  So, I’m concerned with applying creative effort in bringing the unlike together in a shining manner.

A mitzvah (plural mitzvot) tends to be a ritual obligation related to fulfilling a commandment, and also acts as a blessing or brings blessings.  On a practical basis, this is often applied to a family’s ritual paraphernalia.  For example, in fulfilling the commandment to observe Shabbat, one might take extra care in setting out the Sabbath table with the most beautiful tableware and settings, Kiddush cup, candlesticks, etc.  When you can perform a ritual action or blessing beautifully, artfully, elegantly, you are making a shining gesture.  If your ritual calls for paraphernalia that can be beautified, this also brings in qualities of shining.  The extra attention you put into this brings a heightened level of mindfulness to the ritual act.  In addition to enhancing your attunement with Deity, you create shining moments.

Shining gestures need not be limited to religious devotions or magical actions: they can also be brought into ordinary routines, including personal transactions.  For example, when paying your babysitter or the kid who rakes your yard, rather than just handing him or her a wad of dollar bills, you could put the money into one of those little red envelopes with gold-embossed characters used for making cash gifts at Chinese New Year—even when it isn’t Chinese New Year.  (You can get the envelopes at Asian markets.)  

Putting extra style and flair into one’s actions is very much part of the African aesthetic.  At our workshop, I mentioned Robert Farris Thompson’s theories on how “the flash of spirit” is brought into Kongo decorative and performative arts in order to activate spiritual power and magic.  We also find this aesthetic at work in ordinary transactions.  So, if I recall correctly, (sorry—I have forgotten the source), I read the account of an anthropologist who loaned a local chieftain his typewriter, and as a “thank you” gesture, the chief had his head wife’s beautiful younger sister deliver the anthropologist three mangoes on a decorated plate.  The anthropologist noted the chief could have just handed him a bag of rice as an equivalent offering, but such a prosaic gesture would have gone against the culture’s way of doing things.  Instead, having a beautiful, high status woman present an arrangement of fruits that was decorative yet elegant in its simplicity elevated the act into a shining gesture, as well as a performance.

I will try to pursue the idea of bringing artfulness and beauty into magic, as well as the magic of everyday living, (and also try to explain a bit about glamour bombing), in upcoming blogposts.  Meanwhile, if any of my readers have ideas or personal examples for bringing the quality of shining into your actions, or just doing common things with a little extra flair, I would really enjoy hearing about them.