Opening the Tarot, Part II

Picking up on the discussion about “the magic of opening” and images of openness in the tarot:

A certain degree of openness can also be seen in the postures and other body language of the human figures portrayed in the cards. This is particularly noticeable with some of the characters in the Major Arcana. For example, the figures in The Magician, The Empress, The Emperor, The Hierophant, and Justice are all viewed frontally, they meet the gaze of the viewer, and their arms are outspread, (i.e., not crossed or in other closed-off positions). In card interpretation, this can indicate that if they represent different people in your life, they are likely to be approachable, and also aware of your concerns. If these cards stand for general principles rather than individuals, the knowledge and experience they pertain to is more accessible.

Those of us who are into tarot often like to engage the cards as personal teachers, (and the idea of the Major Arcana as teachers [at a magical academy] has been elegantly developed in Corrine Kenner’s “Wizards’ Tarot”), so we might experience these more open figures as the kind of teachers with whom we might enjoy more of a rapport, (just as, when you look back on your student days, you can probably recall some teachers who you could relate to more than others). Of course, if you are using card decks other than the classic RWS, the artists may have changed some of these details, so that then becomes meaningful when you are pondering the cards you have drawn. (Synchronicity factors are at work in the particular deck of cards you choose to work with on a given occasion.)

Some figures in the tarot are viewed frontally and have an open gaze, but in other ways, their posture or other imagery is closed off. A classic example is the High Priestess, who sits wrapped in an enfolding cloak and holds a closed book, showing that she has knowledge to offer, but you won’t penetrate her secrets easily. Even The Magician card, which I have just cited as an example of openness, has a slightly equivocal quality, because he stands behind an altar table as well as a bed of flowers which form something of a barrier. So, one might interpret this to mean that you may have a better chance of establishing a rapport with him by focusing on a common interest, perhaps by asking him about the lessons of elemental Fire, Earth, Air, or Water, as symbolized by his magical tools. Another card whose figure has a frontal stance and gaze, but where there is a barrier between the character and the viewer, is The Chariot. Likewise, although Justice has an open gaze and posture, her raised sword can keep the viewer at a distance. In fact, in cases like Justice and the Emperor, where both of the character’s hands are occupied, there is the suggestion that their duties keep them somewhat at remove. Contrast Justice and The Emperor with The Magician, The Empress, and The Hierophant, who, although they hold different wands or staffs in one of their hands, have the other hand free, which suggests a greater ability to reach out to you, the Querent.

To better appreciate different figures’ qualities of openness, accessibility, and awareness of the Querent, we can compare certain Major Arcana figures to Minor Arcana figures with which they have an affiliation. So, the Emperor is a “High King” to whom the kings of the Minor Arcana owe fealty, and likewise, the Empress has a certain relationship with the Queens. So, we see that while the Empress is one of the most open figures in the deck, (because of her position, gaze, and other body language), none of the queens meet the viewer’s gaze, and only one, the Queen of Wands, has a full frontal posture, (though her head is turned to the side). The fact that the four queens are either looking off in different directions, or looking down at the symbols of their elements, shows them as being more concerned with the duties, contingencies, and worries of their respective suits. Also, it is interesting to note that the Queens of Swords and Wands, representing the more ethereal elements, gaze off to the right, (the direction of the future), while the Queens of Cups and Pentacles, representing the heavier elements, gaze downward, with their bodies oriented to the left, (the direction of the past).

By the way, if oftentimes happens that with these little graphic nuances that I write about, I only first become aware of them because I am writing about them. This is an example of “writing for discovery.” Also, the more I explore these details in the cards, the more I appreciate the level of thought and intuition that Arthur Edward Waite and Pamela Coleman Smith put into these cards, (even though some purists have accused them of junking up the tarot by adding superfluous symbolism).

Well, I still have more to say about the body language of tarot characters, but I will have to pick that up in the next post. TO BE CONTINUED.

Looking forward to April 1st and the first Sunday, April 3rd

Looking forward to April Fools Day, it is believed to have originated in France, which was the first country to adopt the Gregorian calendar. The games and jokery came to fill the celebrational void that was left when the calendar change resulted in the date of New Years being moved from April 1st to January 1st, (which used to be the winter solstice). Imagine how disoriented you would feel on the eve and day of January 1st if, for some reason, they made another calendar change and moved New Year to some other day! Back then, the April Fools jokes also poked fun at backward people who insisted on celebrating New Year the old way on April 1st. In France and Italy, the fish is the symbol of April Fools Day, and a popular April Fools joke is tacking a fish to other peoples’ clothes without their knowing it. Shops feature baked goods and candies in the shape of fish, and fish are also featured on greeting cards. The idea was that in April, young fish are naïve and easily caught. Coincidentally however, the fish is also sacred to Aphrodite (who rules April), as well as the symbol of Pisces. (Although the precession of the equinoxes has put the calendar days out of sync, April 1st used to be both the Spring Equinox and the day the sun entered Aries, leaving Pisces, the sign of the fishes and of the old year.)

In some previous years, for the first Sunday in April, I demonstrated tarot readings focused on the Fool card. Also in line with the theme of April fishes, we sometimes also did a card search for the Page of Cups. (Because, in the RWS deck, the Page is gaping with surprise at a fish that emerges from his cup, the idea is, where in your life does it seem like the Universe is playing some cosmic joke on you, yet where, at the same time, can you find unexpected rewards?) Last year, we did a card search for Judgment, phrasing the request, “Please show me where I can find new life,” with the idea that the card to the left of Judgment denotes a potential source of renewal, and the card to the right shows where or how you can express energies that reinvigorate you. All of the afore-mentioned cards are harmonious with April’s theme of awakening, opening, and emergence, because the Fool is going forth on a new adventure, the Page of Cups is opening to new emotional experience and growth, and Judgment graphically portrays emergence as rebirth.

This year, I’m thinking of broadening the card search by having us ask the cards a general question about which areas of life are opening up for us. This will take more than the usual amount of consideration as people go through their decks, trying to identify themes of awakening, opening, and emergence in their cards, so we will allow time for plenty of questions and discussion. There are actually a great many possibilities, not just in the traditional meanings of certain cards, but in certain graphic elements. Of course, different decks may also bring in different graphic elements. I have just purchased a copy of Corrine Kenner’s “Wizard’s Tarot” (illustrated by John J. Blumen), which is my favorite new deck, so I am excited to explore ways that we can magically interact with this deck, and—for Sunday’s session--how we might be able to relate the new images to the magic of opening. The card normally titled the Fool is now “the Initiate,” so it seems appropriate to that idea of new experiences.